Daniel Ambord explores how the figure of the monstrous CEO centaur Dario Agger in Thor playfully deconstructs the narrative limits of the superhero genre to examine predation and exploitation, institutional structures of money and power, and the very real predators that dwell within them. Elke Defever (Binghamton University) traces how French cartoonist Moebius blends ancient mythic storytelling with 20th-century political tension to create a new kind of speculative visual language, not to escape reality, but to interrogate it. Logan Uber (Once Upon a Time) builds upon McCloud's definition of comics to examine the sequential artistry of illustrated Medieval texts and marginalia as juxtaposed images in sequence.